Selected Bibliography
2015 Jason Hoelscher, Katherine Taylor: Moving Horizon, ArtPulse, No.24 Vol. 7, 2015, review, and photos
Donna Mintz, "Last Chance: Katherine Taylor’s new direction in “Moving Horizon” at Marcia Wood Gallery," ArtsAtl.com
2014 Diana McClintock, Museum of Contemporary Art of Georgia, 2014, Spillover, exhibition catalog essay.
Katherine Taylor, Agnes Scott College, Decatur, GA 2014 Showing Thinking, exhibition catalog, artist’s authoredessay.
Lia Newman, The Van Every/Smith Galleries at DavidsonCollege, North Carolina, 2014, pg. 44-45, State of Emergency exhibition catalog.photo
Stephanie Cash, Modern Painters, March 2014, p. 89,exhibition review of “Spillover,” photo of CantileverRoadway.
Rene Morales, New American Paintings: Juried Exhibition- in-Print, number 112, artist statement, images
2013 Laura P. Della Monica, “Painted Landscapes: Contemporary Views,” Schiffer Publishing p. 212-215, essay, photos
Harriette Grissom, “Katherine Taylor’s fraught and beautiful paintings in Spillover at MOCA GA,” Artsatl.com, December 20,review, photos
Andrew Alexander, “Katherine Taylor’s Coastline Elegies,” Burnaway.org,December 4, 2013, review, photos of Spillover exhibition.
Christina Cotter, “The year in review: Our critics’ picks for most memorable Atlanta art exhibits of 2012,” ArtsAtl.com, January 4, 2013.
2012 Shira Kerce, “Kennesaw State Art Professor Stays Busy in Atlanta Arts Community,”Kennesaw.edu, September 4, 2012, article, photos
Helena Rickett, “Heavy Weather,” Katherine Taylor, catalog of artist’s work with authored essay
E. Ashley Rooney, “100 Southern Artists,” Schiffer Publishing, 2012, featured artist.
Helena Rickett, “Heavy Weather,” Katherine Taylor, catalog of artist’s work with authored essay
E. Ashley Rooney, “100 Southern Artists,” Schiffer Publishing, 2012, featured artist.
Felicia Feaster,“Tumult and Tragedy,” Creative Loafing, February 23-29, 2012, p. 26-27,
exhibition review of Firmament, photo of Encroachment.
Brian Hitselberger, “Katherine Taylor and Shawne Major:Stillness, Clamor and Fetish ,”
Burnaway.org, February 7, 2012, exhibition review of Firmament, photos of Encroachment,
Impluvium 1 & 4.
Larry Larson, AM1690, February 10, 2012 radio interview with artist for ArtPapers Magazine Art Auction.
Christina Cotter, “Katherine Taylor Ponders Man’s Relationship to Nature in Gorgeous
Landscapes at Marcia Wood Gallery,” ArtsCriticATL.com,
February 17, 2012, exhibition review of Firmament, photos of Encroachment, Easement 20, and Impluvium 1.
2011 Catherine Fox, “Noplaceness, Art in a Post-Urban Landscape,” Possible Futures, inc., Fall 2011,
p. 212, photo installation view of Hurricane.
Megan Nare, “Q &A with Katherine Taylor Trains and Terminus,” Burnaway.org,
September 7, 2011, photo of Terminus print.
2010 Felecia Feaster, “Disaster Relief,” The Atlantan, December 2010 p. 24, featured artist,
photo of Airport Palms.
Catherine Fox, “Silent Images Bear Witness to Cataclysm,” The Atlanta Journal-Constitution,
Oct. 15, 2010, p. D9, exhibition review of Parallax, photos of Airport Palms, and Marine.
Megan Norman, “POST-her Offers Diverse Views of Modern Women,” Burnaway.org, Nov. 12, 2010, exhibition review of POST-her.
Rebecca Dimling Cochran, “POST-her, Subversive Portraits at Jackson Fine Art,”
ArtsCriticATL.com Oct. 20, 2010, exhibition review of POST-her.
Jerry Cullum, “Artists Question Southern Art? At Georgia State’sWelch Gallery,” Burnaway.org,
July 20, 2010, exhibition review Southern Art?
2010 Daniel Sachs, “Parallax,” Marietta Cobb Museum of Art, September 2010, photos of all works in
Parallax exhibition, exhibition essay.
Jerry Cullum, “Pull,” Marcia Wood Gallery, print portfolio catalog, essay p.17-18, photo of Parallax.
Catherine Fox, "Breaking News: Atlanta Artists in Québec City Biennial," ArtsCriticATL.com,
March 5, 2010, article.
Lucas Carpenter, Art Papers, Jan./Feb. 2010, p. 50. exhibition review of Still Water.
Ben Emmanuel “Deluge,” Athica, Athens, Georgia, March/May 2010,
exhibition catalog, photos of Atlanta Flooding Series, Broken Culvert, and Culvert.
2009 Catherine Fox, "Agnes Scott College’s Engaging and Sometimes Witty Look at the Water Crisis,"
ArtsCriticATL.com, Nov 12, 2009, exhibition review of Still Water.
Susan Richmond, Art Papers, May/June 2009, p. 48, exhibition review ofOasis,
photo of Indexical View/Sabal Palm.
Jerry Cullum, "Katherine Taylor at Marcia Wood,” Counterforces.blogspot.com, March 2, 2009,
exhibition review ofOasis, photo of Windshield Palm.
2008 Pamola Powell, “Collector's Eye,“ Atlanta, Homes and Lifestyles, December 2008, p.32,
photo of Distance Redux.
2007 Catherine Fox, “Atlanta Innovates, Disparate Array is Lively and Vital,” The Atlanta Journal-Constitution,
November 25, p. K2. exhibition review of Innovations: New work by Atlanta Contemporary Artists.
Charlotta Kotik, New American Paintings: Juried Exhibition-in-Print, number 70, p. 154-157,
artist statement, photos of Cabinets, Sun-N-Sand, and Projected Ruin.
Lisa Kurzner, “Artist Profile: KatherineTaylor,” Atlanta Homes and Lifestyles, September 2007,
p.70-71, article reviewing artist’s work and studio practice, photos of the artist, Bathtub, Land Cruiser,
Grand Prix, and Sun-n-Sand.
Michael Woody, “If these Walls Could Talk,” Deep, September 2007, p. 48-51, article featuring
Katherine Taylor’s work, photos of Afterimage, Destroyer and Aftermath.
2006 Kelly Klaasmeyer, “The End of Days,” Houston Press, Oct. 5, exhibition review of Run for Your Lives.
Bob Stevenson, “The Front Row,” KUHF, Houston, Texas, Sept. 28, 2006, NPR
interview about Ground Losses in Run for Your Lives at Diversworks.
Ryan Martin, Glasstire.com, October 2006, exhibition review ofRun For Your Lives.
2006 Susan Richmond, Art Papers, July/August 2006, p. 53, exhibition review of Courting Disaster,
photo of Landcruiser.
Jerry Cullum, “Beauty Emerges from Chaos after the Storm,”The Atlanta Journal-Constitution,
May 7, p. L2. exhibition review ofCourting Disaster, photo of Landcruiser.
Felicia Feaster, “Chaos Theory,” Creative Loafing, April 27-May 3, p.45, exhibition review of Courting Disaster.
Allison Hersh, “Flirting with Disaster,” Savannah Morning News, January 15, p. 3L, 5L, exhibition
review ofAftermath, photos of Aftermath: Hurricane.
Caroline Grage, “Art and the Zen ofNatural Disasters,” Inkwell, Armstrong Atlantic University,
January 19, p.1, exhibition review of Aftermath, photo of Hurricane.
2005 Beth Venn, New American Paintings: Juried Exhibition-in-Print, number 58,p., 150-153,
artist statement, photos of Hurricane Camille 1969, Impala, and Flood, review of work in Juror’s
Comments p. 3, photo of Impala on cover.
Emily Horton, " Gallery Hopping; Taking a Stroll through Atlanta’s Art Scene,” Points North,
March, p. 22-29, review of artist’s work, photo of Aftermath: Camille 1969-Front Beach Texaco.
The Oxford American, Fall 2005, p.118, photo of Hurricane Bob1979.
2004 Southeastern Gallery Guide, October, p. 9-11, featured artist, photos of Afterimage: Cars, photo
on cover of Aftermath: Camille 1969-Front Beach Texaco.
Air Tran Arrivals, August/September 2004, p. 42, Marcia Wood Gallery, photo of Afterimage I.
Felicia Feaster, “Disaster Site,” Creative Loafing, September 30-October 6, p. 42, exhibition
review of Afterimage, photo of Hurricane.
Jerry Cullum, “Hurricane Force Topicality,” The Atlanta Journal-Constitution, October 3, p. L3,
exhibition review of Afterimage, photo of Hurricane.
Jerry Cullum, “World of Possibility: Landscapes Have a Human Element,” The Atlanta Journal-Constitution,
February 22, p. M1, exhibition review of Tender Landscape, photo of Afterimage/Aftermath #2
Gene Coleman, “Camille Remembered,” The Bay Press, January 9, p. A1, exhibition review of Destroyer,
photo of artist with Aftermath: Camille 1969-Front Beach Texaco.
“Hurricane Camille Focus of new exhibit,” Sun Herald, January 18, p. 8, exhibition announcement of
Destroyer, photos of Aftermath: Camille.
“College Alumnus Drawings at Art Gallery,” The Mississippi Press, January 11, p. 4-C, article,
photos of Aftermath: Shrimp Boat and Aftermath: Camille.
2003 Ralf Herms, ed., “The Moment of Beauty,” + rosebud: Action, no. 4, January 2003,
p. 179-181, pictorial review of Processional.
2002 Jerry Cullum, “Distinctive Sensibilities Made Manifest in Marvelous Ways,” The Atlanta Journal-Constitution,
October 11, p. Q6, exhibition review of New Work at Marcia Wood Gallery, photo of Boomtown.
Felicia Feaster, “Night Light,” Creative Loafing Oct 9-15, p. 70, exhibition review of New Work at Marcia Wood
Gallery, photo of Boomtown.
Cate McQuaid, “Beauty and the Beholder,” Boston Globe, March 8, p. E 16,
exhibition review of Once Upon a Time.
Paul Parcellin, “More Than Skin Deep,” Retro-Rocket.Com: Boston’s Journal of Arts and Film,
Feb-March 2002, exhibition review of Once Upon a Time, photo of Processional.
2001 Art Talk, Albany Museum of Art Calendar, Albany Museum of Art, September/October, p. 5,
listing for Georgia/Alabama Biennial, photo of Casino.
Visual Arts Calendar, The Atlanta Journal Constitution, January 11, p. Q6, photo of Casino.
14th Annual McNeese Works on Paper, Abercrombie Gallery, McNeese State University,
Lake Charles, Louisiana, March/April, p3, exhibition catalog, photo of Let Em Think It Was Luck.
16th Annual Florida National, Florida State University Art Museum, exhibition catalog, p. 12,
photo of Processional.
Catherine Fox, “Lipstick Explores Meaning of Womanhood,” The Atlanta Journal-Constitution,
June 29, p. Q8, exhibition review ofLipstick.
Cathy Byrd, “Casino Real: Abstracts Explore Biloxi’s Transformation at Callanwolde,”
Creative Loafing, May 23-29, exhibition review ofCasino, photos of Casino.
Catherine Fox, “Blurred Beauty on the Gulf Gone to Gaudiness,”The Atlanta Journal-Constitution,
May 25, p. Q8, exhibitionreview of Casino, photo ofCasinos.
2000 Ricci Justis, “Katherine Taylor’s Processional on display at GSU," Signal: Georgia State University,
July 11, p. 13, article, installation photos ofProcessional.